2011

September–October: Taksim Cumhuriyet Sanat Galerisi, Istanbul, Turkey. ‘Diamandini’, robotic installation. In Uncontainable / Signs of Life, ISEA 2011 Istanbul, L. Aceti and K. Cleland (curators).

July–September: National Art Museum of China, Beijing, China. ‘The Fish-Bird Series’, interactive installation with two robots and multi-sensor perception system, two autonomous interactive objects and kinetic object. In transLife: Media Art China 2011, Z. Ga (curator).

2010

September – December: Gyeonggi Museum of Modern Art, Ansan City, South Korea‘Circle E: Fragile Balances’, installation with kinetic object. In V. Lynn &  H.J. Kim (curators), The Trickster.

September –  October: Cockatoo Island, Sydney,‘Current State of Affairs’ a reactive installation with mirror, water and electricity. In A. Lærkesen (curator), A.R.P. Artist Residency Program.

March –April: Osage Kwun Tong, Kowloon, Hong Kong, ‘Circle D: Fragile Balances’, interactive installation with two autonomous objects. In A. Choi, M. Lee & WF Wong (curators), Fugue in the Key of Understanding.

2009

November–December: Royal Melbourne Institute of Technology Gallery, Melbourne, Australia, ‘Circle D: Fragile Balances’ and ‘Circle E: Fragile Balances’, interactive installation with two autonomous objects. In M. Rackham (curator) Australian Network for Art and Technology, Super Human – Revolution of the Species.

September-November: Australian Embassy Washington DC, U.S.A., ‘The Woman’, 3min 40sec video. In A. Ivanova (curator) Impact by Degrees – Australian Perspectives on Art and Climate Change.

May–July: Art Gallery of New South Wales, Sydney, Australia, ‘Circle D: Fragile Balances’ and ‘Circle E: Fragile Balances’, interactive installation with two autonomous objects. In V. Lynn (curator), Double Take: Anne Landa Award for Video and New Media Arts 2009.

February–April: ARoS Århus Kunstmuseum, Århus, Denmark, ‘Fish-Bird Circle B – Movement C’, interactive installation with two robots and multi-sensor perception system. In P. Dinesen & S. Harving (curators), ENTER ACTION – Digital Art Now.

2008

November-February: Queensland Art Gallery – Gallery of Modern Art, Brisbane, Australia, ‘Circle D: Fragile Balances’, interactive installation with two autonomous objects. In N. Chambers (curator), Premier of Queensland’s National New Media Art Award Exhibition.

July–August: Campbelltown Arts Centre, Sydney, Australia, ‘Circle D: Fragile Balances’, interactive installation with two autonomous interactive objects. In Mirror States, Kathy Cleland & Lizzie Muller (curators).

July–August: Campbelltown Arts Centre, Sydney, Australia, ‘Fish-Bird Circle B – Movement C’, interactive installation with two robots and multi-sensor perception system. In K. Cleland & L. Muller (curators), Mirror States.

June: Moving Image Centre Toi Rerehiko, Auckland, New Zealand. ‘Circle D: Fragile Balances’, interactive installation with two autonomous interactive objects. In Mirror States, Kathy Cleland & Lizzie Muller (curators).

2007

February–May: Australia Council for the Arts, Sydney. ‘Fish-Bird Circle B – Movement C’, interactive installation with two robots and multi-sensor perception system. In Strange Attractors: Charm between art & science, Antoanetta Ivanova (curator).

2006

July-September: Shanghai Zendai Museum of Modern Art, Shanghai, China. ‘Embracement’. In Strange Attractors, Antoanetta Ivanova (curator).

January-April: Wood Street Galleries, Pittsburgh Cultural Estate, Pittsburgh PA, U.S.A. ‘Fish-Bird Circle B – Movement C’. In Can We Fall in Love With a Machine?, Claudia Hart & Murray Horne (curators).

2005

September-October: Artspace Visual Arts Centre, Sydney, Australia. ‘Fish-Bird Circle B – Movement C’. Nicholas Tsoutas (curator).

August-September: Queensland University of Technology Gallery, Brisbane, Australia. ‘Pin Cushion’. In International Digital Art Awards 05, Steve Danzig (curator).

June-July: China Millennium Art Museum, Beijing, China. ‘Pin Cushion’ interactive installation utilising electrostatic control devices. In Beijing New Media Arts Biennial, Alex Adriaansens, Sara Diamond, Yukiko Shikata, Peter Weibel, Antoanetta Ivanova & Zhang Ga (curators).

April-May: Victoria College of the Arts Gallery, Melbourne, Australia. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In International Digital Art Awards 05, Steve Danzig (curator).

January 2005: Green Papaya Art Projects, Manila, Philippines. ‘Remedial State’, video performance in The Shangri-La Collective, Maria Cruz (curator).

2004

October-November: Experimedia at State Library of Victoria, Melbourne, Australia. ‘Mutual Exchange: Throw’, interactive installation utilising computer vision. In Reactivate, Antoanetta Ivanova & Isabelle Arvers (curators).

September-December: John Curtin Gallery, Curtin University of Technology, Perth, Australia. ‘Embracement’. In Biennale of Electronic Arts Perth, Chris Malcolm (curator).

September-October: Royal Exhibition Hall, Melbourne, Australia. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In Melbourne Art Fair, work represented by Novamedia.

September–October 2004: Institute of Modern Art, Brisbane, Australia. ‘Remedial State’, video performance in The Shangri-La Collective, Maria Cruz (curator).

September–October 2004: Bathurst Regional Art Gallery, Bathurst, Australia. ‘Remedial State’, video performance in The Shangri-La Collective, Maria Cruz (curator).

September: Ars Electronica 2004 – TIMESHIFT – Dei Welt in 25 Jahren [TIMESHIFT – The World in 25 Years], Linz, Austria. ‘Fish-Bird Circle B – Movement B’. In Unnatural Selection – Australian Media Art, Alessio Cavallaro (curator).

July-August: Artspace Visual Arts Centre, Sydney, Australia. ‘Fish-Bird Circle B – Movement. In ResArtis, Nicholas Tsoutas (curator).

June–July 2004: Gertrude Contemporary Art Spaces, Melbourne, Australia, Sydney, Australia. ‘Remedial State’, video performance in The Shangri-La Collective, Maria Cruz (curator).

2003

September-November: Museum of Contemporary Art, Sydney, Australia. ‘Embracement’. Premier in: Primavera 2003, Julianne Pierce (curator).

May-June: Ivan Dougherty Gallery, Sydney, Australia. ‘Unstill Life’, interactive installation utilising computer vision. In Outside In, Rilka Oakley (curator).

April 2003: Artspace Visual Arts Centre, Sydney, Australia. ‘Remedial State’, video performance in The Shangri-La Collective, Maria Cruz (curator).

2002

October: Te Papa Tongarewa National Museum of New Zealand, Wellington, New Zealand. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In St@rt Up, Kathy Cleland (curator).

August: Experimental Art Foundation, Adelaide, Australia. ‘Mutual Exchange: Throw’, interactive installation utilising computer vision. In D>art Festival, John Tonkin et al. (curators)

June: Museum of Contemporary Art, Sydney, Australia. ‘Mutual Exchange: Throw’, interactive installation utilising computer vision. In D>art Festival, John Tonkin et al. (curators)

March-April: Art Gallery of South Australia, Adelaide, Australia. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In Converge: Where Art and Science Meet, The 2002 Adelaide Biennial of Australian Contemporary Art, Adelaide Festival of the Arts, Victoria Lynn, Linda Cooper, et al. (curators).

February-April: Conde Duque Museum, Madrid, Spain. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In Heterosis, ARCO 2002, Paul Greenaway (curator).

2001

April-May: European Media Arts Festival, Osnabrück, Germany. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. Herrman Noering, Andrea Gehling et al. (curators).

2000

October: The Powerhouse Museum, Sydney, Australia. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. In Future Screen 00, Artificial Life: HARD/SOFT/WET, Leah Grycewicz & Panos Couros (curators).

August: Artspace Visual Arts Centre, Sydney, Australia. ‘Pin Cushion’, interactive installation utilising electrostatic control devices. Premier in Transformers, Jaqueline Phillips (curator).

May: The Performance Space, Sydney, Australia. ‘Unstill Life’, interactive installation utilising computer vision, in collaboration with G. Zebington. Premier in Spectrascope, The Biennale of Sydney, Julianne Pierce & Jaqueline Phillips (curators), 2000.

1999

November: Institute of Modern Art, Brisbane, Australia. ‘Amor Veneris’, breath activated interactive installation. In National Digital Art Awards, 1999.

September: Sciencentre of Queensland, Brisbane, Australia. ‘Amor Veneris’, breath activated interactive installation. Premier in Sci-Art, Multimedia Art Asia Pacific 99, Paul Brown (curator).

1998

November: Artspace Visual Arts Centre, Sydney, Australia. ‘Red Armchair 4’, speech activated interactive installation. Premier in Surveillance, Nicholas Tsoutas (curator).

1997

September: Ton-Build-Spektakel, Zürich, Switzerland. ‘Phaedra’s Circle’, collaborative multimedia installation/performance, Suzanne Chammas (choreographer), produced by Tanzforum Ostschweiz.

October: Kunsthalle Prisma, Aarborn, Switzerland. ‘Phaedra’s Circle’, collaborative multimedia installation/performance, Suzanne Chammas (choreographer), in Novaseta, produced by Tanzforum Ostschweiz.